Bregje Hofstede published an essay on the work and method of Resonate Productions in De Correspondent.
“The entire event functions as a kind of portal to sincerity, directness, and connection in a world where imitations of these things are abundant – but the real thing is not.”
APAP selected FOR REAL to be one of the 18 works to be pitched at the 2026 conference in New York.
Journalism-innovator Shirish Kulkarni reviews Nothing Bigger Than Humanity as “one of the most beautiful acts of art, journalism and life that I’ve evern seen”. Theaterkrant writes: “We should carry out these kind of musical rituals with in-depth journalism in every city or village… The audience obviously needs it”.
Resonate makes its New York debut at BAM in Brooklyn with FOR REAL, with five shows during the Next Wave Festival 2025.
Nothing Bigger Than Humanity premiers at O. festival Rotterdam, where Andrea Voets is artist in residence from 2025 until 2028. This is the first review in Theaterkrant.
Cultuurpers publishes a documentary on the FastForward trajectory of Andrea Voets, and the making of FOR REAL. Filmed and edited by Thomas Beltsios.
De Groene Amsterdammer publishes Voets’ essay on the intellectual undermining of women, based on one year of touring FOR REAL, including over 150 live interviews.
Andrea Voets is now one of the 50 Splendor musicians. In the heart of Amsterdam, you’ll find Splendor: a club for every kind of music, a meeting place, a workspace, a musical laboratory and much, much more.
Resonate Productions receives two-year funding, Regeling Ontwikkeling, for young organisations from the Amsterdam Fund for the Arts.
Andrea Voets was interviewed on FOR REAL for newspaper Parool. Volkskrant wrote this story on the rehearsal process, and on the 27th of March 2024, Andrea was a guest at the leading radioshow for the arts in the Netherlands: Nooit Meer Slapen.
Resonate Productions received project funding for the new production FOR REAL by Dioraphte, het Cultuurfonds, FPK, AFK and BNG.
WOMEX selected a panel-talk on intellectual undermining of women in music and of musicians in society, to be part of its 2023 edition. The panel is proposed and designed by Andrea Voets and Martyna van Nieuwland (MusicMeeting).
Andrea Voets got selected to join the Buro Stedelijk of the Stedelijk Museum in Amsterdam.
The world-famous American podcast-maker Avery Trufelman (a.o. Articles of Interest, 99% Invisible, the Cut) listed Millennial History as one of her favourite/weirdest podcasts of 2022. Next to just 5 other podcasts by a.o. PRX, the BBC and Wondery.
Avery writes:
A number of shows challenged what I like and why. None of these should work. They all did. This podcast breaks all my rules. It’s wall to wall music. So much music. I find myself loving the music as much as I love the enriching interviews. The three part series Children Of The Decree, about orphanages in Romania, still haunts me. (There’s this damning insight about American optimism has has actually changed a lot of how I think)
Andrea Voets made her debut as a writer in the Dutch leading opinionating magazine De Groene Amsterdammer with a 4000-word essay on Millennial History.
Millennial History opens the National Theater Festival of Romania with two performances at Theater Excelsior in Bucharest.
Podcast Millennial History gets shortlisted by the Association for International Broadcasting as ‘best of human interest audio’, next to just 6 other productions by a.o. the BBC, SkyNews & Turtoise Media.
Resonate Productions pairs up with Festival van Vlaanderen Mechelen Lunalia for a 5-year long collaboration. Musical journalism will be made with the citizens of Mechelen , based on the themes of the yearly festival. Funded by the Flemish government.
Podcast Millennial History is launched in partnership with AreWeEurope. Journalist Sara Furxhi reviews: “The narrative and production quality is out of this world. I’m touched, captivated, moved.”
Christian Gesellmann (piqd.de) writes: “I listened to all the episodes in one go. Days afterwards, I was still thinking about certain insights of the interviewees. E.g. the ability of Joanna, to understand her own life and to empathise with everyone who had a part in her story, has deeply impressed me.”
Andrea appears on the popular non-fiction radio-show Interne Keuken , to introduce the podcast to the Flemish audience.
Artistic director Andrea Voets is awarded the highly selective Fastforward -grant by the Dutch Fund for the performing arts. Awarded to just one or two performing artists in the Netherlands per year, meant for international collaboration. With the grant, Andrea will carry out research on the question “how to feel safe”, all over the globe, with acclaimed partners like producer Ian Brennan & trauma-researcher Bessel van der Kolk.
Resonate Productions joins forces with AreWeEurope : an award-winning platform for border-breaking European journalism. First release: podcast Millennial History.
While We Live is listed as “best of classical music 2020” by the Dutch quality-newspaper NRC, calling it a “fascinating new genre”.Followed by this interview in 2021.
The Berliner Festspiele order a piece of analogue musical journalism, based on the works of Bruno Latour. Received with critical acclaim during 10 sold-out performances at the Martin Gropiusbau.
Artistic director Andrea Voets receives a New Makers subsidy of the Dutch Performing Arts Fund. The partners are the leading debating-house in the Netherlands De Balie and the artist’s collective Company New Heroes . The subsidy is used for the creation of two new documentary-concerts: Wings & Roots & While We Live (best of classical music 2020, NRC)
Andrea Voets is selected for the groundbreaking, German Concerto21-program of the Alfred Töpfer Stiftung.
Musical journalism is launched with a pitch at the ClassicalNEXT conference. Head of music of the British Council calls it: “the sort of works we need after Trump & Brexit”.